Saved by Tears; ten pieces ten days; no. 5b

Saved By Tears

Rav said, All the ends have passed, and the matter . . . depends only on transformation [teshuvah] and good deeds.
But Shmuel says, It is enough for the mourner to stand in his mourning.
– Babylonian Talmud, Sanhedrin 97b

“I called my project ‘the legend of the hidden Thirty Six,’ ” Todd said, “was it necessary that the 36 be hidden — to redeem the world?”

A young woman with black leather boots emitted a low groan, heard from one end of the room to the other, a deep sigh of sadness, “where could we find such people today?”

There was an old man who came in from the rain with disheveled hair and holding a cup of coffee, he said softly, “they are present in every generation. Present but secret. The difference is then they were manifest, now they are hidden.”

I felt the sadness and the optimism in the arguments of Rav and Shmuel, the necessity for the tears to somehow wash the world clean — not to change it in the common ways — simply to weep the world well, to cleanse it with our tears. A sad redemption, but a redemption. I felt it in my fingers and my fingers played it on my lute. I tried to explain it, but I played it better. I cleansed myself with the music and many times since, with my tears, I wept myself well.

I don’t know how the world is to be saved, unless it is to repair it with tears. To weep the world well.

I recalled the artist I met in Italy and the stories that he occasionally told, especially the tender ones. I recalled the softness, the weeping in his eyes when he told them.

I was talking with J. on Shabbat Shuvah, the Shabbat of teshuvah transformation between Rosh Hashanah and Yom Kippur. He was telling me about a friend of his son who had died in a car accident. “I was in New Jersey with a big big client,” J. said. “I live for this stuff, but I didn’t want to be there.”

“You don’t live for this stuff,” I said, “not for this, not for that, but for everything that issues from the mouth of G*d.”

“My head hurts,” J. said.

“You’re saving the world,” I said, “you’re saving the world with your tears.”

Again, it was the weeping that drew me to these stories. When I returned home, one day while playing music with Will, I began to weep, quietly and inwardly. I had learned how to cry in such a way that no one noticed.

The world would not be saved in the common, obvious ways; it may not be saved even by the righteous, there may be too few of them, nor by sincere acts of initiative.

It would be saved only by our tears.

jsg, usa